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Monday, July 29, 2013

Renate Hiller - "On Handwork"


Am deeply touched by this short you tube movie of Renate Hiller, co-director of the Fiber Craft Studio at the Threefold Educational Center in Chestnut Ridge, New York
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R e p o r t

Handwork Research Conference
April 20 – 22, 2012

Preparing for the Future
 How do practical, artistic activities support the development of soul-spiritual capacities?
 
This theme and research question was at the heart of the second handwork conference organized by the Fiber Craft Studio of the Threefold Educational Center in collaboration with Dr. Gerald Karnow and the Conference Planning Committee*. It brought together 60 individuals from Waldorf Schools and other settings eager to form a learning community and support each other in their common striving.

It was in ancient times,
There lived in the initiates’ souls
Powerfully the thought
That ill by nature
Is every human being.
And educating was considered to be
Like a healing process
Which brought the maturing child health
For life’s fullness of human existence.
        From Course for Young Doctors by Rudolf Steiner

It is of the utmost importance to know that the ordinary thought-forces of man are the refined forces of bodily growth and formation. In the forming and growing of the human body, a spiritual manifests itself. For it appears as such in the further course of life – the spiritual force of thought.
         Excerpt from Fundamentals of Therapy, Chapter 1,
                                       by Rudolf Steiner and Ita Wegman

These leading thoughts - that were also part of the pre-conference study materials -formed the inner core of Dr. Karnow’s lectures at the Threefold Auditorium. Drawing on his wealth of experience as physician, school doctor and educator, and by involving the conference participants, he brought alive the developmental stages of the human being from embryonic development through physical birth and the three seven-year periods up to age twenty-one. This journey of the human being towards maturity, towards the birth of the ego, is one of communication and movement with the forces of the cosmos and, through the senses, with the earthly environment. It is a process of gradual liberation of soul and spiritual forces from the physical.
This liberation happens in three successive stages from the head to the heart to the limbs in each of the seven-year periods. During the first seven-year period the child’s communication with the world happens through imitation. During the second period (age 7 – 14) the child works on gaining self-mastery in the feeling life by looking up to an authority. During the third period (age 14 – 21) the capacity of judgment evolves; then the capacity for self-direction begins to be acquired.
The handwork teacher – who is aware of these general developmental movements and has a sense of each child’s individual being – will find the right gesture of communication and the right handwork projects to bring healing and support on the path of maturation. Dr. Karnow stressed that the rich sensory experiences and most varied movement gestures inherent in handwork projects have the potential to support the developmental movements in just the right way. As the child engages in meaningful work, creating items that are useful and beautiful, skill capacities, cognitive capacities, moral capacities are being supported and fostered. A project that embodies beauty and truth brings joy and satisfaction.
The three-section workshops on handwork in the kindergarten and the lower and middle-school years led by experienced Waldorf teachers served as laboratories for practical research and conversation with regard to the conference theme. The resulting projects were displayed in the Threefold Auditorium Side Room where the plenum session led to a rich harvest of presentations from the workshops and a sharing of questions, thoughts and insights.
In educating children through artistic handwork activities we are preparing for the future – a future that they will shape with their heads, their hands and their hearts in their present incarnation and in incarnations to come.
*Conference Planning Group:
Nicole Nicola, Philadelphia Waldorf School
Tjitske Lehman, Kimberton Waldorf School
Chris Marlow, Green Meadow Waldorf School
Renate Hiller and Mikae Toma, Fiber Craft Studio

From : http://www.fibercraftstudio.org/handwork_conference

Sunday, July 21, 2013

Ahmadabad’s Acropolis

Sarkhej Roza is located in the village of Makraba which is 7 km south-west of Ahmadabad. The mosque is known as “Ahmadabad’s Acropolis”, because of the 20th century architect Le Corbusier’s famous comparison of this mosque’s design to the Acropolis of Athens. 
The place has been interpreted has being composed of both body and spirit (Jism and Ruh) comparing with the qualities of a human


We 5 reached around 8 45 am at Sarkhej Roza. When we reached there,  while we started to study the architecture and surroundings of the place. We started roaming in and around the place. The place has intricate stone carvings on its walls the carved stone grills mitigate light and proper temperature and also adds some privacy and the proper dignity of the place. We marveled on the architecture of the place. Sarkhej Roza built with both Muslim and Hindu architecture examples. The domes and pillars are of Islamic religion, the ornamentation has Hindu religion prints. Almost all the buildings do not have arches and instead are depended on stone trellises for support. the two tombs of the saint and the king-Mahmud Begada, both nearby and could feel some peace and vibrations. It is said that The Saint resides in his tomb even after his death. It was a tranquil environment near the tomb. The tombs and palaces were used by the royals while the tank, pavilions and platforms were used by common people.

















 The place was originally in 72 acres with gardens on all sides but with development of human settlements, the gardens were destroyed and the area is now only to 34 acres. Half of the size it originally was

Sunday, July 7, 2013

ankodi

During the silent time that i work on my piece repeatedly touch and re-touch the material, my own emotions.  Hope, desire, love, sadness, yearning, all these are somehow carried into that material.Thus through touch, 
our inner self is transferred to the exterior world.
All those feelings that we have when we are in the act of making remain.  They exist in the 
material object.Hand made things are very powerful.  They carry something of the maker with them always Inner stuff from me, is felt by you, the viewer. I keep coming back to this abstracted figure I love to watch the piece react to wind and sunlight. 

Thursday, July 4, 2013

ankodi

I made a pot of tea ,put the radio on and settle down on the sofa in my home with my hook and thread.
Call me crazy, ...............but I had a full day
wonderfull rainy days <3 span="">